Beth Winter

In Oberhausen. Just saw the git (no, not that git. The other other git. I have a lot of them) play Krolock, finally.

Review upcoming. For now, let it suffice to say that my lifelong ambition to see a Krolock fall into the orchestra pit has finally been realised, at least for values of Krolock-leg, Krolock-cloak, and frantic clutching at the ledge ♥

Since the Gdynia musical theatre obligingly rotates their shows every week or so, I ended up catching Fiddler on the Roof.

It was my first time seeing it live, and I was rather ticked off that a Certain Someone was supposed to be playing Perchik, but ended up being a random ensemble member instead, at the last moment - to the point where the ushers were all "What? He's supposed to be on as Perchik tonight!" and the night's cast list had him as well. I suspect a sudden sore throat, because he was inaudible as well, where he usually drowns everyone out. Still, I got to see him prancing about in amusing ways :)

My two other quiet favourites from this theatre's stable cast were in it as well, Bernaciak playing the Rabbi's son (flaming prancing gay, which I've come to expect from him...) and Michalski as Fiedya - dammit, the guy has a show-stopping voice ♥ I saw him as Beast a year ago, but he's been working on it since.

The show was good - good staging, great sets (simple black shapes with projections of Chagal paintings) and very nice choreography. There was also an energetic vibe in the ensemble, and I had great fun people-watching. The mute Fiddler in particular was used in ways that reminded me a lot of Mozart. And the accents! I know all those accents both from movies and from real life, and it was all authentic Jewish and Russian accents. So much love for the voice coaches.

My problem with it is that the musical isn't particularly good. It's all a one-man show revolving around Tevye, with other characters barely sketched. The music's brilliant, but it doesn't always fit the action - the most striking example is the celebratory L'Chaim (IMHO the best song in the show along with Sunrise, Sunset) being the celebration of an engagement that gets tossed aside the next day. I think I'm spoiled for good musicals, but dear heavens, this book could use a rewrite.

(This staging did attempt to lead the emotional arc a bit more, but it was haphazard. I wasn't particularly fond of the way they dressed the Fiddler in an Auschwitz striped outfit at the end.)

Still, a good show, and a good cast :) And my machine didn't give out for once, which is a joy - I'm not fond of the cast recordings available for it, and the voices and music were stellar. Good times.

Bonus: http://www.youtube.com/watch?v=8OZLoyY8PiQ - second section of L'Chaim. The guy who defies human lungs at 0:55 would be Michalski.

So, my favourite joke about a certain Herbert von Krolock is that he could sing Phantom of the Opera as a duet with himself, ending included.

This is him doing The Song That Goes Like This, both sides of it:

( Read more... )

No words.

Only seven weeks delayed, here's the review ^^; The photo gallery may help - it's hard to do justice to the visual richness of Elisabeth.

( An extensive review, with translations of Takarazuka terms for the non-Zuka readers ;) )

We got toujitsuken (same-day tickets) to see this show, and I was surprised to find them still available when we arrived at the Tokyo Takarazuka Theater at 10 AM, since it was only a few days before the end of the run and the joint graduation/retirement of both Top Stars and eight other performers. The same-day tickets are the very back row of the balcony, and I can confirm that even from there, the view is stellar - binoculars helped, of course.

( And here I thought it wasn't possible for me to be impressed by a Cosmos show )

Out of all we saw during our stay in Japan, this was the show for which I had the least expectations. I'm happy to report I was very pleasantly surprised.

So, not only am I in Japan for Tanabata (and I have the Google!Japan logo to prove it), but I just saw my favourite musical in the world, with the one performer that a, I adore in every role on account of his voice making me melt, and b, that I was never expecting to see because, well, Japan.

Yuichirou Yamaguchi, live, is enough to make your brain melt with the first note. For most of the show, he's a Japanese demon, a bunraku puppet, inhuman and only moving when he chooses to. Then came Unstillbare, and the way he came out and leaned on a gravestone, suddenly human, broke my heart even before he sang. And he did sing, and it left me gasping for breath. The stage presence alone, and that voice!

(Yes, I did have my faithful Olympus gadget. And I wasn't the only one melting. We were on the balcony, among an all-female crowd, and we all gasped in unison. As fyrie put it, that voice bypasses the brain altogether to lodge much lower.)

( The rest of the Tokyo version of Tanz der Vampire was also much improved )

We're going back to Osaka tomorrow, via Nagoya and Cirque du Soleil (again, this time for free in 12,000 yen seats). I think I may have trouble sleeping long enough today. Falling asleep at Me and My Girl would be embarrassing.

The actual show report will take a few days, or until I get back home (because it only gets better from here), but we did end up staying for our first demachi.

(For the non-Takarazuka: demachi is official stagedooring. When the stars come out, they take letters from their fanclub members, but they generally don't talk to other people, and you're not allowed to bother them. Not so much with the Kevin Tarte style of "who wants to glomp Krolock? :D)

( Demachi report )

( And this would be what never happens at demachi )

Three weeks until my exam, and I'm nose-deep in studying. (And planning for Japan.)

In the meantime, have Pretty von Krolock:

Written for lgbtfest:

Title: The End of Summer
Author: Beth Winter, bwinter
Fandom: Loosely based on Tanz der Vampire (musical based on the movie Fearless Vampire Killers)
Pairing/characters: Graf von Krolock, Original Character
Rating: PG
Disclaimer: Roman Polanski and Michael Kunze have my congratulations. This particular version is based on the original Vienna production.
Prompt: 35. Any fandom, any character(s), In a world that contains vampires one of them is utterly depressed. No matter who he/she loves, be it man or woman, the second her/his bloodlust takes over he/she destroys what he/she loved about them in the first place. How would meeting someone who is immortal (and therefore immune to the vampire's bite) in a completely different way change his/her perspective on (un)life?

Summary: The nature of curses may not be what we believe.
Warnings: Death, angst, religious themes (Catholicism).
Author's Notes: All you need to know about this canon is that it's 1617 in Transylvania, and Graf Stephan von Krolock, scientist and magician, has recently been turned into a vampire.

( The vampire and the stranger )

( And bonus epilogue )

Takarazuka is my mainstay for when I'm feeling down, but not every show is a gem. Since I've just giggled myself silly through El Halcon, I think it is one.

Fans of From Eroica with Love will recognise Tyrian Persimmon, Klaus's ancestor, and let's just say the show starts with the baby Tyrian stabbing the man who raised him as a son to facilitate the escape of the pirate he suspects is his real father. It gets downhill from there, because there's seemingly no depth Tyrian won't stoop to (though I admit Aran Kei looks very at home when throwing women on a bed and pinning them there). The revue has lovingly adapted Yasuko Aoike's penchant for creating memorable backup teams for her heroes, and therefore Tyrian gets not one but two male sailors who keep being posed in typical musumeyaku worship poses, and Asuka's Gilda has her posse of girl pirates.

But I have to admit I'm on the side of Luminous "Red" Benedict. Let's see - he's noble, rash and needs a knock on the head. He has a crazy pirate mentor, and he manages to "kidnap" Tyrian's ward only to get tackled by her as she giggles about (I think) how cool he is. (I believe this would be where Eroica gets his enthusiasm from.) And oh, Hoshigumi have so many lovely actresses there - Yuzuki Reon and Kazu Ryouka work beautifully together, it's such a pity that Kazu's retiring just before Chie becomes top. Other people I'll definitely keep an eye on are Suzumi Shio (she does anger very well) and Tenju Mitsuki - just a baby, but she's got the otokoyaku fire in spades.

The show is... more on crack than From Eroica with Love, which is an achievement. It chiefly earns this distinction via the appearance of the disco-dancing Queen Bess.

( Clip from the prologue, which does a good job of introducing all characters )