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A classical recommendation
There is much to be said about the Byronic hero, and of course such a character can be infuriating, self-pitying, misguided and generally deserving to be kicked off a cliff. But on the other hand, woobie.
The case in question: Byron's Manfred. (Public domain, online thanks to Bartleby.com)
I doubt it would have much success on stage, since it mostly consists of Manfred's monologues on how much he does not deserve to live his wretched life, but damn. Master brooding. Respect.
(Mmm. I wonder if in Byron's time his legion of fangirls ever dared to, say, slash Manfred with whoever, or write a Mary Sue who arrives in the castle and makes him forget all about Astarte... What am I saying? Of course they did.)
The case in question: Byron's Manfred. (Public domain, online thanks to Bartleby.com)
I doubt it would have much success on stage, since it mostly consists of Manfred's monologues on how much he does not deserve to live his wretched life, but damn. Master brooding. Respect.
(Mmm. I wonder if in Byron's time his legion of fangirls ever dared to, say, slash Manfred with whoever, or write a Mary Sue who arrives in the castle and makes him forget all about Astarte... What am I saying? Of course they did.)
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Actually since my Nano will be a pure-fun free-for-all, I have decided to feature one Salome di Geraudi, daughter of Manfred and Astarte and one tough alchemist cookie. She's getting along with the ninja pirate like a house on fire - hate at first sight.
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And the play's actually quite readable, while Werther's Sorrows holds the place of honour as the first obligatory school reading I only read two pages from, because I couldn't stomach more. (The last two pages, of course.)
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